Aliens: Colonial Marines (Update on my Adventure)


I pop the disc in and a large update is immediately required. I have heard that this update touched up the graphics a bit, fixed a slew of bugs, and made the AI more aggressive. I begin playing on Ultimate Badass difficulty. My first impression is that the graphics are akin to a first generation title (meaning it looks like it’s about 6 years old), but that they aren’t terrible. The first chunk of the game is actually very compelling, giving a good atmosphere that caught me with a couple of well-timed jump scares.

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Supernatural: Carved in Flesh (Review)


Joyce screamed as the monster-dog sank its teeth into Ted’s throat and began shaking him back and forth, as if he were nothing but a toy. Ted’s eyes widened with fear and pain,but although his mouth gaped wide, no sound emerged. An instant later Joyce understood why, as thick blood geysered upward. It ran down the sides of Ted’s mouth and turned his white hair crimson before soaking into the ground beneath.

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IHOG @ The Movies; Cosmopolis


It wasn’t until Cosmopolis that I really appreciated who Robert Patterson seems to be. Considered “beautiful” by many young woman and paid out the ass for his Twilight films, he has been propelled to the top of the world extremely fast at such a young age. This creates a sense of isolation among his peers that distances him and his emotions and this is the perfect reason he was the perfect choice for Cosmopolis.

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Book Review: Identity Theft


When John Abramowitz reached out to us to review his book Identity Theft, I was vaguely hesitant. A series about a young arcane defense attorney who takes supernatural clients? Paging Wolfram & Hart!

I started the first book in the series so I could be properly acquainted with the universe Hunter Gamble lives in and I was surprised at how much I enjoyed it.

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Not Approved by the Comics Code Authority: Max Allan Collins’ “Seduction of the Innocent”


“Seduction of the Innocent”, a new crime tale by Max Allan Collins (“Road to Perdition”), reads like the best of classic pulp fiction, but Collins grounds his fiction in the reality of the 1950s witch-hunt against the comic book industry for corrupting America’s youth. Now that the question of where Americans get their violent ideas is once again on everyone’s mind, Collins’ work of fiction is more social commentary than it may have intended.

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