The Cultured, Conniving, Cannibal


I was about ten years old the first time I got to watch Silence of the Lambs. Was that wildly inappropriate for a child that age? Of course, but it helped in spawning a love for the charismatic villain who ate people! Here was this man, who for all intents and purposes, was perfectly sane, yet could give you nightmares just by talking.

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Supernatural: Carved in Flesh (Review)


Joyce screamed as the monster-dog sank its teeth into Ted’s throat and began shaking him back and forth, as if he were nothing but a toy. Ted’s eyes widened with fear and pain,but although his mouth gaped wide, no sound emerged. An instant later Joyce understood why, as thick blood geysered upward. It ran down the sides of Ted’s mouth and turned his white hair crimson before soaking into the ground beneath.

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Pondering; Books vs Film


We/I/You often hear view points, many of them differing. One I feel we can all agree on is that many people feel books as a medium promote intellectualism in a more precise fashion than film/television/music (I will explain later why I include music with the visual mediums). Some people say that this is because books have a larger amount of material to present while film is restricted to a specific run time, forcing the exclusion of often inane, but colorful, details. These details create a unique palette that we all digest differently which paints a canvas of thought that each of us perceive in our own way.

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Book Review: Identity Theft


When John Abramowitz reached out to us to review his book Identity Theft, I was vaguely hesitant. A series about a young arcane defense attorney who takes supernatural clients? Paging Wolfram & Hart!

I started the first book in the series so I could be properly acquainted with the universe Hunter Gamble lives in and I was surprised at how much I enjoyed it.

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Not Approved by the Comics Code Authority: Max Allan Collins’ “Seduction of the Innocent”


“Seduction of the Innocent”, a new crime tale by Max Allan Collins (“Road to Perdition”), reads like the best of classic pulp fiction, but Collins grounds his fiction in the reality of the 1950s witch-hunt against the comic book industry for corrupting America’s youth. Now that the question of where Americans get their violent ideas is once again on everyone’s mind, Collins’ work of fiction is more social commentary than it may have intended.

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